tag:blogger.com,1999:blog-66688552011-07-31T10:17:42.999+10:00ABOUT | What makes art Art? artArt is a weblog for aggregating information, online resources, opportunities and other information about artist and art publishing and writing around the world. artArt is intended as a resource for art writers and journalists working across a range of media, practices and contexts.lindanoreply@blogger.comBlogger2241100tag:blogger.com,1999:blog-6668855.post-1409127545465072392007-08-09T08:55:00.000+10:002007-08-09T08:57:23.170+10:00

artArt is now closed. Thanks for reading, contributing and subbing. Please keep reading and writing about art.

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-86213565782578688512007-05-01T07:50:00.000+10:002007-05-01T10:13:10.243+10:00

by Linda CarroliParticular types of public art can be criticised as ‘plonk art’. This refers to an approach to public art that does not reference its site in any way – it lacks integration with its context or local community and does not contribute to a sense of place. This is regarded as undesirable in the placemaking endeavours of current planning and design practice. Many public art strategies

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-62525051719418444952007-04-05T07:39:00.000+10:002007-04-05T07:45:14.262+10:00

Just received an email from Veronica Shunmugam who is a senior arts writer working in the press in Kuala Lumpur, Malaysia. Veronica has an interest in arts writing in Southeast Asian region as well as Australia. She publishes her own blog, 'Arts for all'.Read it at:http://arts-for-all.blogspot.com

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-57612232162311673412007-02-22T16:01:00.000+10:002007-02-22T16:16:29.541+10:00

A new book Critical Mess: Art critics and the state of their practice presents a series of essays by leading writers in the field discussing their declining readership and influence. A common lament is that most art writing is descriptive and offers little in the way of value judgement and opinion, Or that the writing is obscure, theory based and pedantic. Edited by Raphael Rubenstein.Charles

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-44902217876226096422007-02-06T06:50:00.000+10:002007-02-06T06:52:45.871+10:00

Ten by Ten is a new portfolio project presented by LAXART and Uber.com. Ten by Ten is a monthly dialogue between 10 artists and 10 writers. Each artist participating in the portfolio project has designed an Uber page as a combination studio/gallery/personal profile. After visiting the artist's page each writer contributes a piece of critical commentary that describes the work, raises questions

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-79907320464443074872007-02-02T06:48:00.000+10:002007-02-02T06:55:36.172+10:00

pylon is pleased to announce the publication of 3 newly commissioned critical essays about the work of pylon artists Andy Gracie (hostprods), Jen Southern (Hamilton & Southern) and Steve Symons:Andy Gracie: Symbiotic Circuitsby Mitchell WhitelawBeside Ourselves, SometimesKris Cohen on Hamilton and SouthernEureka Moments: A Background to aura, Sonic Augmented Reality by Steve SymonsBy Helen

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-13276281938134647892007-01-29T15:14:00.000+10:002007-01-29T15:16:25.884+10:00

Art Magazine in Second LifeSource: ArtNetRichard Minsky, an artist and founder of the Center for Book Arts in New York City, is launching the first magazine dedicated exclusively to the art scene in the burgeoning online universe of Second Life. Dubbed Slart -- as in Second Life Art -- the publication is designed to bring "real world art issues" into the virtual sphere, and to make sense of an

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-76513749264573877172007-01-19T16:13:00.000+10:002007-01-19T16:16:08.973+10:00

ROUGEissue 10 (January 2007)Contributor: Adrian Martin, Rouge Co-EditorThere is a ‘Japanese connection’ running through the new issue of the Melbourne-based, independently produced film/arts magazine ROUGE, which was recently described by the CHICAGO READER as "the best film magazine going that's exclusively online ... far and away the most international of film magazines in English ... attentive

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-73609693227434900362007-01-18T09:18:00.001+10:002009-07-03T19:33:11.301+10:00

AT ARTEFIERA ART FIRST 2007 - WORD ON ART at the ART CAFÉBooks, conversations, meetings and debates about contemporary artBologna, 26 – 29 January 2007For the community of modern and contemporary art experts and enthusiasts that visit ARTEFIERA ART FIRST each year, the numerous appointments in the programme are a pleasant tradition as well as a unique opportunity to exchange views with leading

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-31069302101474417622007-01-11T12:49:00.000+10:002007-01-11T12:52:56.000+10:00

A wry look at an Australian arts show in the 1950's called Vulture.See it online at:http://youtube.com/watch?v=EtpLV6N679YAlso have a look at the parody of the Movie Show about early cinema.See it online at:http://www.youtube.com/watch?v=ElsmCJxKvOE

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-50587224909022961972006-12-30T06:37:00.000+10:002006-12-30T06:41:47.180+10:00

Critical Spatial Practice is a weblog. Extensive topics and links.Info:http://criticalspatialpractice.blogspot.com

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-49380977087284271172006-12-30T06:32:00.000+10:002006-12-30T06:47:17.570+10:00

Jane Rendell describes her current research project into art, space and criticism:"My current research, Site Specific Writing: Art, Space and Criticism, draws on conversation as a mode for writing contemporary art criticism. The research draws on intellectual debates around space and subjectivity advanced by post-structuralists feminists such as Rosi Braidotti and demonstrates the importance of

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-17397615058209397982006-12-30T06:25:00.000+10:002006-12-30T06:27:32.253+10:00

Art-omma is a non profit and subscription-free online art magazine, published annualy. Current issue addresses the theme of 'inscription'.Info:http://www.art-omma.org

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-58485431198460876512006-12-27T17:03:00.000+10:002006-12-27T17:06:15.535+10:00

Call for applicationshttp://www.ejf.fu-berlin.de/programm.html?&lang=en Thanks to the European Journalism Fellowships, 76 journalists from 27 nations have had an opportunity to pursue research in Berlin between 1999 and 2005. Reputable news organizations have granted leaves of absence to their journalists. Over the years, a network of journalists has emerged in Europe. Participants have developed

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-62955157921054075022006-12-27T16:58:00.000+10:002006-12-27T17:01:32.197+10:00

A weblog at Arts Journal. CultureGrrl specializes in pungent, informed commentary, cutting through the hype and tripe with good writing and good humor. Cited by The New York Times, The Los Angeles Times and The Boston Globe, this blog draws on my extensive artworld contacts and lengthy arts-journalism career. It brings you beyond conventional coverage, inside the minds and methods of major

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1166759875635478932006-12-22T13:56:00.000+10:002006-12-27T17:06:34.084+10:00

A once-off broadsheet put together by the Institute of Modern Art (IMA) and Substation Singapore, Artreader provides critical responses to the opening of the Fifth Asia-Pacific Triennial (APT5) and the launch of the new Queensland Gallery of Modern Art (GoMA).Edited by Lee Weng Choy, co-Artistic Director of the innovative Singaporean contemporary arts centre, Artreader includes reviews,

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1166759745714603682006-12-22T13:54:00.000+10:002006-12-27T17:06:49.816+10:00

Source: The AustralianDate: 21 December 2006Writing a caption can be an art in itselfDidactic doesn't have to mean dumbing down in art galleries, writes Rosemary SorensenIN the 19th century, art museums described as didactic the printed text on the gallery wall identifying a painting or sculpture. "Art was meant to enlighten the masses, improve their social behaviours," says Lynne Seear, deputy

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1165696429922159422006-12-10T06:31:00.000+10:002006-12-27T17:07:14.476+10:00

source: e-fluxTwo European Art Publishing Houses ...Monografik EditionsAimed at all those who love, study, teach and work in the field of "Fine Arts" and the symbolic thinking which accompanies it, with a particular focus on architecture, art and design. ME targets the world of contemporary creation, yet never refrains from touching on major figures or historical movements.http://

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1165615203698492132006-12-09T07:57:00.000+10:002006-12-27T17:07:34.413+10:00

LAB MAG is a fluid Portable Document Format publication, which collects the work of artists, designers and writers. It is a project of LAB, a think tank founded by Adam Pendleton, which practices research, documentation, art & design. Contributors are sent 'Notes for LAB MAG' and invited to contribute whatever they wish; They are free to engage with the notes or to ignore them. Through the

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1165531848892720772006-12-08T08:23:00.000+10:002006-12-27T17:07:56.429+10:00

It would be remiss to not offer a comment about the reporting and coverage of the unveilling of the new Gallery of Modern Art in Brisbane and its sibling the State Library of Queensland. Generally both structures have won the hearts and minds of all, other than some quibbles. Is this concerning? Should such structures generate aesthetic controversy? Think Bilbao. Do these institutions, as

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1165521464496870602006-12-08T05:54:00.000+10:002006-12-27T17:08:13.126+10:00

Gertrude Contemporary Art Spaces’ 20-year anniversary publication A Short Ride in a Fast Machine: Gertrude Contemporary Art Spaces 1985 - 2005 won Best Book at the 2006 Museums Australia Multimedia and Publication Design Awards, which were held at the Queensland Art Gallery, Brisbane, in May.The publication, designed by Yanni Florence, contested a strong field of entrants including publications

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1164939881791551972006-12-01T12:23:00.000+10:002006-12-27T17:08:44.292+10:00

The Asia–Pacific Triennial of Contemporary Art (APT) is to have its own free newspaper. Artworkers, the Institute of Modern Art (IMA) and the Substation Singapore will put together a publication on the people, artists and curators involved in this year’s Queensland Art Gallery event. The broadsheet will include reviews, interviews and focus pieces. To be developed over a series of workshops, it’s

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1164939245717484232006-12-01T12:13:00.000+10:002006-12-27T17:09:45.012+10:00

A zine out of the Philippines. Ctrl+P is steered by the Judy Freya Sibayan and delivered as a pdf. Where there is no arts publishing, local art magazine or funding for such activities, this is a serious journal for local writing that takes a global perspective. Releasing their third issue, which focuses on the practice of curators including Georg Shollhammer’s "documenta 12 magazines", an

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1164324651826636922006-11-24T09:29:00.000+10:002006-12-27T17:10:12.340+10:00

Same Magazine, Just DigitalExperience ArtReview: Digital. Since last month’s launch, thousands upon thousands of people from around the world have tuned in to the digital version of ArtReview magazine. Zoomable, searchable, easy to navigate and downloadable, ArtReview:Digital is available anytime, wherever you are in the world. Try out ArtReview:Digital and receive six complimentary issues,

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1163892128020611842006-11-19T09:19:00.000+10:002006-12-27T17:10:34.447+10:00

A couple of articles on the Goethe Institute's website discussing art books and art publishing Germany.A Growing Market – The International Art BookInitially the international art book market established itself through the western art metropolises and has in the meantime extended as far as China. Martin Zähringer describes this trend in the first part of his article and in the second part

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1163623499772251302006-11-16T06:43:00.000+10:002006-12-27T17:10:55.781+10:00

Chapter Arts Centre, Cardiff is looking for a Writer who can act as a Provocateur to create writings to be published in a variety of formats: on the internet; the Chapter magazine and website; and across a range of public media including journals and newspapers in Wales and the UK.Chapter is offering a six month commission of £5,000 to engage a writer on a freelance basis to work with Chapter’s

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1163473977702435552006-11-14T13:09:00.000+10:002006-12-27T17:11:50.399+10:00

Having been commissioned to write an essay about a fitout of an office environment, I've taken a slight turn in my writing practice and started to investigate design theory, criticism and journalism.Here's an interview that addresses some issues associated with design journalism - Frozen Pictures? Can Design Journalism be Reinvented? Julie Lasky Editor-In-Chief, I.D. Magazine & GK

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1163470495385214652006-11-14T12:12:00.000+10:002006-12-27T17:12:01.420+10:00

Printed Matter, Inc. presents The NY Art Book Fair, New York City’s first annual fair devoted to contemporary art books and artists’ books. Over 70 international exhibitors, from major distributors and antiquarian dealers to independent publishers and artists occupy a dual-level 20,000 square foot space. The fair takes place 17 through 19 November, 2006, in the heart of Chelsea’s gallery district

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1162699155540196452006-11-05T13:47:00.000+10:002006-12-27T17:12:18.844+10:00

Browsing through the email news headlines, I note a story about Salvador Dali's theatre-memorial in Figueres, Spain in the travel section of today's bulletin. Still disappointed by the ABC's decision to axe its Radio National program, The Deep End, as the latest loss of arts coverage in the media (and this blog is full of such reports from around the world), I can't help but wonder if travel

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1162698179431883682006-11-05T13:37:00.000+10:002006-12-27T17:12:39.461+10:00

PhilipProject Arts Centre, Dublin, IrelandSource: e-fluxInspired by the worlds of Philip K. Dick, Philip attempts to look at architecture, ideology and socio-political constructions by bringing together a group of international artists, critics and curators whose common language in this instance is their fascination for the world of science fiction.For Philip, a group of international artists,

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1162520662953750802006-11-03T12:21:00.000+10:002006-12-27T17:12:55.940+10:00

The end of Radio National's The Deep End ...Radio National's weekday arts and culture program The Deep End has been axed, leaving no dedicated cultural show on the network. The Deep End featured arts news and events coverage in Australia and overseas across multiple disciplines. Segments such as Deep End Five and the Maker allowed artists and performers to discuss their craft in detail.Read more

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1162095276581900232006-10-29T13:27:00.000+10:002006-12-27T17:13:14.243+10:00

by Linda CarroliI'm in a bit of writing, perhaps catching up, mode having been otherwise occupied for a few months. During this time, I have had the strange experience of being engaged in various aspects of policy/strategy development. Subsequently, I am trying to think around an idea of policy as a type of writing about art or culture, as part of the written framing of cultural practices.Because

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1162091341077644122006-10-29T12:33:00.000+10:002006-12-27T17:13:52.583+10:00

In the latest issue of Eyeline (#61, Spring 2006, p 35) Lee Weng Choy considers the role of criticism paying specific attention to Artspace's Critical Reader for Zones of Contact (the recent Sydney Biennale). He commences his essay by caricaturing his arguement, stating that there two kinds of discourses in relation to biennales: one being focused on 'explaining' the artworks and curatorial

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1161563485847428512006-10-23T10:30:00.000+10:002006-12-27T17:14:08.861+10:00

Linguist Louise Ravelli on museum textsIn the wake of the controversy that greeted its opening in 2001, the National Museum of Australia was subjected to a review by a panel of historians. Their report, published in 2003, began by acknowledging the 'different conceptions of the role of a national museum within its society. Not only have perceptions changed over the last century, but a consensus

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1157863929304259922006-09-10T14:44:00.000+10:002006-12-27T17:14:26.244+10:00

by Linda CarroliI stumbled upon something recently, like a crack in the footpath across which your step falters or twists. A frayed editorial in a local art publication that focuses on emerging art and writers. The magazine is tiny - it sits somewhere between a zine, street press and art magazine, not really making a mark or packing a punch as any of those entities. Given away but not

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1157757995461576392006-09-09T09:23:00.000+10:002006-12-27T17:14:45.584+10:00

A special issue of Southern Review: Communication, Politics & CultureSouthern Review is publishing a special Issue on the politics of publishing in July 2007We are calling for papers which aim to provide perspectives on the current and longer-term politics of publishing, connecting this industry and cultural technology to either arenas of legislative politics/public policy, to governance of

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1157318940009904042006-09-04T07:27:00.000+10:002006-12-27T17:14:59.214+10:00

Sarai Reader 06 uses 'Turbulence' as a conceptual vantage point from which to interrogate all that is in the throes of terminal crisis, and to invoke all that is as yet unborn. It seek to examine 'turbulence' as a global phenomenon, unbounded by the arbitrary lines that denote national and state boundaries in a 'political' map of the world. It wants to see areas of low and high pressure in

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1155511174237009612006-08-14T09:15:00.000+10:002006-12-27T17:15:16.828+10:00

Initiated by the Andy Warhol Foundation for the Visual Arts and administered by Creative Capital, The Creative Capital Andy Warhol Foundation Arts Writers Grant is a three-year pilot program designed to support critical writing on contemporary visual art through project-based grants issued directly to individual authors. The first program of its type, it was founded in recognition of both the

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1154686754617885862006-08-04T20:17:00.000+10:002006-08-04T20:19:14.616+10:00

The 6th Sarai Reader : Turbulence will be formally released to the public on the 26th of August at 6:00 pm at the seminar room at Sarai CSDS. Sarai Reader 06 uses 'Turbulence' as a conceptual vantage point from which to interrogate all that is in the throes of terminal crisis, and to invoke all that is as yet unborn. It seek to examine 'turbulence' as a global phenomenon, unbounded by the

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1154686630416308592006-08-04T20:16:00.000+10:002006-08-04T20:17:10.430+10:00

documenta 12 magazines works together with more than 80 print and online periodicals throughout the world. These journals and magazines will discuss the main themes and theories behind documenta 12 with particular emphasis being placed on reflecting the interests and specific knowledge of the respective local contexts entering into a dialogue with documenta 12. These debates will be compiled and

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1154295276223466572006-07-31T07:32:00.000+10:002006-07-31T07:34:36.243+10:00

The “From Thesis to Book” ARC Linkage Project is a manuscript development partnership between The University of Sydney and Pan Macmillan Australia. Its aim is to produce outstanding, accessible works of non-fiction from manuscripts which began their lives as doctoral theses.In 2007 the project will award the last of its funded writing residencies to a recent PhD graduate in the humanities and

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1153996229227443792006-07-27T20:27:00.000+10:002006-07-27T20:30:29.243+10:00

Is art criticism in crisis?Interview with Raphael RubinsteinThe Book Show, Radio National27 July 2006Why is it that even as criticism drifts away from academia it becomes more academic? Why do so many exhibition catalogues numb us with their obscure prose? Is there a serious breakdown in the dialogue around contemporary painting? Should art critics get back into the business of making value

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1152929122314669112006-07-15T11:53:00.000+10:002006-07-15T12:05:22.330+10:00

by Rosemary SorensenThe Courier-MailAnother critique of an art writing project by Rosemary Sorensen, The Courier-Mail's arts editor.Read the whole article online at:http://www.couriermail.news.com.au/story/0,20797,19703323-5003423,00.html

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1151532136158701352006-06-29T08:00:00.000+10:002006-06-29T08:02:16.180+10:00

Art + text : deconstructing the language barrier in art museumsby Jennifer BlundenEditor, Art Gallery of New South WalesPaper delivered at the recent Museums Australia Conference in Brisbane.For non-arty people, the language of art is not just a bit heavy going; it can be utterly impenetrable. Why? Is it the words – too many ‘isms’, too much jargon? Is it the grammar and syntax – the way the

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1150756289979218612006-06-20T08:30:00.000+10:002006-06-20T08:31:30.000+10:00

My life as a sitting duckby Matthew CollingsSource: The Times OnlineFor a long time I’ve led a double life. I’ve been an art critic and an artist. I’ve been writing for nearly 30 years, but during that time I’ve kept up a studio and been in exhibitions. Last week an exhibition of abstract paintings opened at a gallery in Bond Street. My name is on the window. Most of the work sold very quickly,

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1150239067731489762006-06-14T08:50:00.000+10:002006-06-14T08:51:07.743+10:00

Situations (research and commissioning programme led by the University of the West of England, Bristol)is inviting applications from writers based in the South West of England for two writing bursaries. Each bursary offers the opportunity to visit one or more Situations events in the next year, two mentoring sessions with an established critic or art historian in London and the chance to publish

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1149891404317416852006-06-10T08:06:00.000+10:002006-06-10T08:16:44.330+10:00

Michael Joyce has emailed to let me know about a couple of things. He has also been collaborating with painter Alexandra Grant. Her one-woman show scheduled for April 7-July 7, 2007 at LA MOCA, will feature paintings based on his texts.http://www.alexandragrant.com/collaborations.htmlMichael's new novel/la/ette, Was: annales nomadique /A novel of internet will be published by FC2 to coincide

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1149461786818517142006-06-05T08:54:00.000+10:002006-06-05T08:57:06.496+10:00

frieze celebrates its 100th issue and 15th anniversary with a summer issue devoted to the role of the art magazine and the state of criticism. What criteria do we use to judge art? What writing has most influenced the way we think about art? In a special survey, writers, artists and curators reveal the, often surprising influences that have shaped their thinking and writing.Eugenia Bell and Emily

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1148513065171935112006-05-25T09:22:00.000+10:002006-05-25T09:24:25.183+10:00

Together with the Institute for the Future of the Book, McKenzie Wark has created a new kind of book/web interface to present a draft of my new book GAM3R 7H30RY, free to the public, open for comment and discussion.GAM3R 7H30RY is about two questions:* can we explore games as allegories for the world we live in?* can there be a critical theory of games?Wark is sharing the book in its draft state

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1147910644003549082006-05-18T10:01:00.000+10:002006-05-18T10:21:47.973+10:00

Sufferance: a critical response (revised)by Linda CarroliBook, I am coming to realise, is one of the most powerful words in our language.As a critic, I think I am supposed to consider the ways in which these things called artworks are doing what artists and curators say they do. I’ve written a longer essay about artists’ books, libraries and including some commentary about Sufferance. This will

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1147046856250109362006-05-08T10:05:00.000+10:002006-05-08T10:07:36.276+10:00

BREAKING THE NEWS: The Humanities Writing ProjectConference at the Humanities Research Centre, Old Canberra House, ANUDates: 24 - 26 May 2006Scholarly writing in the humanities (it’s often said) should be intelligible and accessible to all; a clear pane of glass through which anyone may freely gaze. Often however the window seems so misty that it’s hard to get much of a view. Scholarly journals

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1146602949330752702006-05-03T06:47:00.000+10:002006-05-03T06:49:09.343+10:00

frieze magazine is launching an art writer’s prize to discover and promote new art critics.Entrants must submit one 700 word review of a recent contemporary art exhibition. Entries must be submitted in English, but it may be a translation (this must be acknowledged). Entrants must be over 18 years old. The entrant must not previously have had any writing published in any national or regional

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1145922852814663022006-04-25T09:52:00.000+10:002006-04-25T09:54:12.826+10:00

Source: e-fluxe-flux is pleased to announce the launch of Martha Rosler Library's website. Comprised of approximately 7,700 titles from the artist's personal collection, the Library was opened to the public by e-flux in November 2005 as a storefront reading room. The contents range from political theory, art history and poetry to science fiction, mystery and children's books; they include

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1145923105116341172006-04-25T07:55:00.000+10:002006-04-25T09:59:20.723+10:00

Wear This Book (but Bring It Back Friday)By Amy SutherlandSource: New York TimesTO make room for shiny new books, librarians cull the texts that have been loved literally to pieces, as well as volumes that haven't been stamped with a due date in years. The rejected books are given away, tossed in Dumpsters, melted in acid, even burned — visions that could stop any author's pen in midsentence. It

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1145828440814733072006-04-24T07:38:00.000+10:002006-04-24T07:40:40.943+10:00

The Press of the Nova Scotia College of Art and Design was established in 1972 as a vehicle to publish books by and about leading contemporary artists. Between 1972 and 1987, twenty six titles by such artists as Michael Snow, Steve Reich, Gerhard Richter and Yvonne Rainer were published. Re-launched in 2002, the NSCAD Press will once again establish a source for the publishing of primary

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1145828228968049762006-04-24T07:35:00.000+10:002006-04-24T07:38:52.770+10:00

Links to a range of free online tools for notetaking, web publishing, databasing and sound recording.Online at:http://www.solutionwatch.com/368/fifty-ways-to-take-notes

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1145827999079798462006-04-24T07:30:00.000+10:002006-04-24T07:33:19.406+10:00

A personal research blog by Jean Burgess, PhD student in cultural studies & new media, Queensland University of Technology, Australia.Online at:http://hypertext.rmit.edu.au/~burgess/

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1145576790966746082006-04-21T09:45:00.000+10:002006-04-21T09:46:31.030+10:00

Papers presented by Marshall Weber and Nola Farman at the 3rd Australian Artists' Books Forum are now available at the Artspace Mackay website.http://www.artspacemackay.com.au/artists_books?p=5355An article by visiting UK artist Sarah Bodman on her trip to the 3rd Australian Artists' Books Forum and her two week residency at Southern Cross University in Lismore is also available at the Centre for

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1145576707562456052006-04-21T09:43:00.000+10:002006-04-21T09:45:07.830+10:00

Sat 26 AugustThe Zoo, Fortitude Valley, BrisbaneThe After Dark Zine Fair is coming! Get out your scissors and your glue stick, the After Dark Zine Fair as part of the Poetry After Dark spectacular. If you're in old brisvegas reserve your place, if not we will be selling zines on consignment so get in contact!If you have a ZINE that you would like to sell or give away send us an email to show your

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1145575875385920432006-04-21T09:26:00.000+10:002006-04-21T09:31:15.496+10:00

Works by Jane DyerDyer19 April – 14 MayUber Gallery52 Fitzroy St, St Kilda, MelbourneDyer's works are grounded in a text-based language - primarily books and her sculptural objects and installations explore and challenge our investment in language and what happens when we dislocate it from its traditional reception. In Stutter, Dyer literally uses texts - books, magazines, newspapers are her

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1145574467647191582006-04-21T09:06:00.000+10:002006-04-21T09:15:14.326+10:00

Why Must We Always "Explain" Art?by Grayson PerrySource: The Times (UK)04/18/06We all have a part of ourselves that cries out for certainty and meaning. If we encounter a contemporary artwork one of the first things we ask is: “What does it mean?” We can be uncomfortable with not knowing, not being sure, not having the safe ground of the authorised, correct interpretation. When encountering an

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1145411094757954272006-04-19T11:30:00.000+10:002006-04-25T08:08:06.766+10:00

by Linda CarroliThe Hard Copy Workshop was presented in Adelaide last month as part of the Adelaide Festival. Facilitated by Roger Malina, Leonardo, the workshop considered a range of writing, research and publishing scenarios and ideas related to interdisciplinary practice and emerging from the application of new technologies. Roger said it was an "Australian discourse with an international

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1143857840661852822006-04-01T12:16:00.000+10:002006-04-20T13:31:06.026+10:00

1001 nights castby Barbara CampbellIn 1001 nights cast, Barbara Campbell performs a short text-based work each night for 1001 consecutive nights. The performance is relayed as a live webcast to anyone, anywhere, who is logged on to this website at the appointed time, that is, sunset at the artist's location. A frame story written by the artist introduces the project's nightly performances. It is

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1143857780477203152006-04-01T12:15:00.000+10:002006-04-01T12:16:20.850+10:00

ARTLANGUAGE: EVERY PUBLISHABLE PLACEOpens: Saturday 1 April, 4 to 6pmTalks by: Charles Merewether, artistic director and curator of Sydney Biennale 2006, and performance reading by Ruark LewisWhere: The Cross Art Projects33 Roslyn Street, Kings Cross, Sydney (opposite St Lukes Hospital gates)Exhibition continues to: Saturday 29 April 2006Cross Conversation: see belowInformation: Jo Holder 9357

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1143702585546339992006-03-30T17:05:00.000+10:002006-05-18T09:57:57.250+10:00

Introductory notes for the Hard Copy session titled 'Readerships and Criticism'.Panellists were Sam da Silva and Linda Marie Walker.---This panel is concerned with ‘criticism and readerships’. As you will have noted from the program we are addressing the ways in which we, as publishers, writers, producers, researchers, editors and as an artworld, develop and sustain an informed audience. What

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1143702321023459002006-03-30T16:53:00.000+10:002006-03-30T17:16:03.163+10:00

In the past month, I’ve participated in two forums in which arts publishing was the focus. First, at the end of February, Artspace Mackay hosted its annual Artists Book Forum. This is the second forum I have presented at and this year’s incarnation included a number of prominent international speakers. Of those, Marshall Weber of Booklyn in New York spoke all too briefly about the practice of

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1142801737987048152006-03-20T06:54:00.000+10:002006-03-20T07:10:59.560+10:00

Flack Attack is a revolutionary concept in publishing, the journal was developed from wikipedia submissions reviewed inside the vr game world of "Second Life" in real time editorial meetings. The game/world is also revolutionary as it is open source and constantly being built from within and there are people working in the game world making objects and converting game world money into real

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1141940281473459182006-03-10T07:36:00.000+10:002006-03-10T07:38:01.486+10:00

Nomads + Residents' Traveling Magazine TableIaspis, Swedenopen call for art magazines.Deadline: 15 March 2006Open call for magazines or periodicals published by artists and artists' collectives, independent groups, non-profit organisations and alternative spaces to be part of the Nomads + Residents' Traveling Magazine Table, which will be on view at Iaspis from 21-30 April 2006. Traveling

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1139555101309245702006-02-10T16:59:00.000+10:002006-02-10T17:09:06.040+10:00

[Hard Copy]State Library of SA, Lecture Theatre, Institute Building13 March, 10am - 5pmFREEHard Copy is a professional, strategic workshop on publishing the outcomes of, and criticism about, interdisciplinary creative art practices. Current publishing paradigms and available outlets are not adequate for the myriad forms of output generated by hybrid, interdisciplinary and collaborative practice.

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1139545717371409872006-02-10T14:26:00.000+10:002006-02-10T14:28:37.373+10:00

PUBLIC FORUM: Between history and fictionMASTER CLASS: Finding your writing voiceGraduate Studies CentreQueensland College of Art, South BankSaturday 18 March, 2006This forum and masterclass event, sponsored by the Humanities Writing Project and the Centre for Public Culture and Ideas, sets out to debate the relationship between narrative history and fiction, and to consider the ways writers

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1139545464488669842006-02-10T14:18:00.000+10:002006-02-10T14:24:24.500+10:00

The End of the Internet?by Jeff ChesterSource: The NationAmerica's largest telephone and cable companies are crafting an alarming set of strategies that would transform the free, open and nondiscriminatory Internet of today to a privately run and branded service that would charge a fee for virtually everything we do online.... Under the plans they are considering, all of us--from content

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1139544995200860642006-02-10T14:15:00.000+10:002006-02-10T14:16:35.213+10:00

What Will Be the Model for a More Participatory News?by Ronda HaubenRecognizing that there is deep dissatisfaction with the mainstream news media, especially in the US, a number of news reading companies have opened web sites. Some are dot.com startups. A few are reported to have substantial venture capitalist funding. (1) The goal of these startups is to provide a new way for users to read the

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1139435067730448912006-02-09T07:42:00.000+10:002006-02-10T14:17:18.683+10:00

On The Seven Reviews of Monkeys and Shit... The Continuation of a DialogueNicolás GuagniniSource: NYFA InteractiveAlthough its heyday is some 30-plus years deep into art history, there was a brief era when the artist’s manipulation of the art magazine wasn’t entirely uncommon in the US. These days, art magazines are more closely guarded and more explicitly commercial, which makes Nicolás Guagnini

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1138750137547053372006-02-01T09:26:00.000+10:002006-02-01T09:28:57.560+10:00

RADICAL REVISIONISM: AN ANTHOLOGY OF WRITINGS ON AUSTRALIAN ARTEdited by Rex ButlerThe IMA is pleased to announce the publication of our new anthology of Australian art criticism, Radical Revisionism, a sequel to What is Appropriation? Radical Revisionism gathers important recent writings on Australian art. These writings are ‘revisionist’ insofar as they seek to bring a series of present-day

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1138748124493681362006-02-01T08:50:00.000+10:002006-02-01T08:55:24.506+10:00

An article by Jay Handelman in South West Florida's Herald Tribune examines some pressing issues about arts journalism and criticism. Handelman writes "While business is generally strong at commercial and nonprofit theaters across the country as they adjust to changing tastes and buying habits, the media, particularly newspapers, are increasingly turning a blind eye to the performing and visual

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1138143765735529772006-01-25T09:00:00.000+10:002006-01-25T09:02:45.753+10:00

Arts Journos Form AssociationZimbabwe Standard (Harare)22 January 2006ARTS and entertainment journalists from Zimbabwe's print and electronic media have formed an association, the Arts Journalists Association of Zimbabwe (AJAZ).The association seeks, among other things, to bring together journalists involved in arts and entertainment. The association is expected to work closely with the National

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1137712122091424952006-01-20T09:02:00.000+10:002006-01-20T09:08:42.103+10:00

The arts end of televisionby Richard MooreSource: The Age, January 19, 2006Richard Moore writes, "Television needs to find a way to cover the arts that helps to nurture - not undermine - them. In December, yet another Australian-made arts program bit the dust. After eight months development and a few months on air, the generally loathed Vulture was dumped from the ABC's schedule."Full story

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1137390138990247862006-01-16T15:40:00.000+10:002006-01-16T15:42:19.003+10:00

27 Feb 2006, 3pm-5pmDe Montfort University, Leicester, UKClephan Building 0.03 - 3-5pmThe death of the book has been falsely foretold many times; in this age of proliferating media it is clear that the book will not disappear but will have to fight for its place. What are the challenges for writers today? What does the new media have to offer writers? And, vitally, what does the new media have

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1136583389432944752006-01-07T07:33:00.000+10:002006-01-07T07:36:29.443+10:00

VOLUME … a project by Archis + C-Lab + AMOIssue 4, Winter 2005VOLUMEis published by the Archis Foundation, AmsterdamContact:info@archis.orghttp://www.volumeproject.orgSubscriptions:http://www.bruil.info/volumeA: Shareware: Portable exhibition of ideas to break in, break out, and break through architecture as we know it. With Artgineering, Elena Simons, Fat, Guerilla Girls, Jeanne van Heeswijk ,

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1133843944764525502005-12-06T14:36:00.000+10:002005-12-06T14:39:04.776+10:00

Adelaide Bank Festival of Arts 2006Registrations are now open for the Artists' Week ARI 2006 WorkshopsClosing date: February 3, 2006WORD UP : Publishing, Zines + Blogs WorkshopThursday 9 March 2006, 2pm - 5pmState Library of SA, Lecture TheatreThe internet and 'do it yourself' publishing are providing opportunities for artists to create their own publishing outlets and channels. With an aim to

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1133471434892096752005-12-02T07:09:00.000+10:002005-12-02T07:10:34.893+10:00

BLOGS/ZINES/COMIX*January 2006 (Dates to be finalised)Facilitated by: Anand V. Taneja, Samit Basu + Sarai.txt Editorial Collective + Vishwajyoti Ghosh, Sarnath BannerjeeBlogs/Zines/Comix is a workshop designed to introduce you to the discussion and production of three exciting media forms. If you ever wanted to make and design your own blog, edit your own zine or draw your own comics, then this

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1133471259843285242005-12-02T07:05:00.000+10:002005-12-02T07:07:39.856+10:00

P.S.1 Contemporary Art Center presents Fine Print: Alternative Media at P.S.1, a series of public programs co-organized with innovative publications from New York and nationwide. One of the country’s original alternative spaces for contemporary art, P.S.1 is working with numerous alternative publications to produce a range of programs involving panel discussions, readings, lectures, music,

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1132520754428594482005-11-21T07:04:00.000+10:002005-11-21T07:05:54.430+10:00

The MIT publication on Stelarc has now been released. If not at your favorite bookstore, you would be able to order it from the MIT website or from Amazon.Stelarc : The Monograph(Electronic Culture: History, Theory, and Practice) Marquard Smith (Editor)http://mitpress.mit.edu/catalog/item/default.asp?ttype=2&tid=10458

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1132520574166406282005-11-21T07:00:00.000+10:002005-11-21T07:02:54.286+10:00

You are invited to make a contribution to ‘decade’an online writing project being launched to celebrate ten years of innovative digital activity at trAce Online Writing Centre, NTU. The completed project will take the shape of a writing 'quilt' of many different responses to technology and change. The introduction to the project notes: “In the last ten years there has been an explosion of new

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1131411908286167612005-11-08T10:55:00.000+10:002005-11-08T11:09:26.636+10:00

The Federal Government's recently proposed Anti-Terrorism Bill 'Sedition Clause' has the potential to adversely affect artists, arts workers and writers across Australia. Specifically, these laws could limit arts practitioners' freedom of expression, and public discussion should occur to examine all potential impacts. There have been a raft of articles about this issue, which has seen artists,

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1131411032367379622005-11-08T10:29:00.000+10:002005-11-09T07:56:09.206+10:00

Thanks to Brisbane's Sunday Mail for another unfounded and misguided attack on an artist. Franz Ehmann, having committed the crime of receiving public funding to produce new and challenging work, is the target of another attack by this bastion of informed reporting. In a report headed, 'Yes, but is it art?' (SM 6 November 2005 p 23), journalist David Murray jockeys his obviously vast knowledge

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1131001836600898092005-11-03T17:08:00.000+10:002005-11-03T17:10:36.613+10:00

A paper presented by Lily Hibberd, editor of un magazine and artist, at the 2005 Hatched Symposium in Perth.This paper has been written for specific purpose as symposiums are an opportunity for incentive and for change – but only useful if we go home and actually do something. By way of introduction, I’m a practicing artist and the founding editor of un Magazine. I am not influential, but merely

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1130976804697732142005-11-03T10:10:00.000+10:002005-11-03T10:16:29.313+10:00

Sub-standard criticism damages the Arts in Australiaby Gary AndersonSource: Arts Hub Australia, November 02, 2005The Melbourne International Arts Festival (MIAF) has passed, and just as the clock and our attention ticks over to summer time, there is a nagging, lingering irritation that needs attention. Now about a week after the last performance, the energy of artistic director Kristy Edmund’s

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1130970783715831012005-11-03T08:23:00.000+10:002005-11-03T10:32:31.870+10:00

by Linda CarroliIt was a pleasure this weekend to attend Brisbane's inaugural ARC Biennial organised by Queensland Artworkers. Nested among the three days of forums was a discussion about art criticism, sponsored by The Courier-Mail. Chaired by Michelle Helmrich and featuring words by Rex Butler, Ted Colless, Rosemary Sorensen and Tim Morrell, the panel spoke about the breadth of their critical

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1130824655890580682005-11-01T15:56:00.000+10:002005-11-01T16:00:54.036+10:00

States of Criticism, Credibility and CelebrityNovember 3, 20057:00 PM - 9:00 PM540 W. 21st St. NYWith 9 million blogs, umpteen online message boards, thousands of shows on hundreds of cable channels, and an increased number of magazines on the newsstand, the number of outlets for expressing criticism has never been higher and the barriers to would-be critics have never been lower. Is this

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1130824427886825742005-11-01T15:51:00.000+10:002005-11-01T15:53:47.986+10:00

The Eyebeam reBlog is a community site focused on art, technology, and culture. The guest reBlogger is filtering feeds provided by artists, curators, bloggers, and news sites. With the touch of a button the reBlogger selects material to share with the Eyebeam community. reBlogs are useful to people or groups who want to maintain a weblog but prefer 'curating' content to writing original posts.

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1130733508108581102005-10-31T14:35:00.000+10:002005-10-31T14:55:13.353+10:00

M/C - Media and CultureCurrent issue themed 'Review' - Edited by Emma Nelms, Kate Cuthbert and Tim MilfullReviews occupy an uneasy position in society. There are those that argue that reviewing is an art in itself, that a well-written review stands alone. There are those that argue that reviewers enjoy a parasitic relationship, piggy-backing on another's creation. Still others see reviews as mere

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1128297747377999292005-10-03T10:00:00.000+10:002005-10-03T10:02:27.383+10:00

Throughout October ... Writing is one of the oldest known technologies, but the concept of writing did not change as substantially as the different forms of text mediation have done, throughout the years. Nevertheless, the invention of press and, most recently, of the computer, altered important operations related to how words and paragraphs are organized. Also, devices such as the Internet, DVD

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1128208151196429062005-10-02T09:06:00.000+10:002005-10-02T09:09:37.336+10:00

Sarai Reader 05: Bare ActsThe Sarai Reader is a unique product, even in terms of form: neither book nor journal, it is a purely experimental enterprise that combines contributions that range from the academic to the literary, from the purely textual to the visual, from detailed ethnographic reports to fairly dense theoretical writings. In fact, it will not be an exaggeration to say that the Sarai

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1128207940297008512005-10-02T09:03:00.000+10:002005-10-02T09:09:59.793+10:00

Making Space for the ArtistA public lecture by Mark AmerikaTuesday October 117pm- 8.30pmBuilding 3.5.10(Bon Marche Building- corner of Harris St and Broadway, Ultimo)Faculty of Humanities and Social SciencesUTSBy its very nature, new media art is congested with always emergent technologies and a slew of theoretical justifications that attempt to turn aesthetic practice into art-research. But

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1128207750208581082005-10-02T09:00:00.000+10:002005-10-02T09:02:30.216+10:00

A newspaper on the relevant subjects of criticality and complaint, edited by Julieta Aranda and Carlos Motta. Based on an idea conceived by The Generals (Julieta Aranda, K8 Hardy, Gareth James, and Carlos Motta, 2005).TEXTS AND CONTRIBUTIONS BY:Fia Backström • Michael Baers • Sybil Baker • Roman Berka / Elia Gurna / Ben Lam (museum in progress) • CAMEL • Andrea Fraser • Mariam Gahni • The

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1125966316845791332005-09-06T10:17:00.000+10:002005-09-06T10:25:16.850+10:00

Camilla Paglia interviewed by Robert Birnbaum. Her most recent book is Break, Blow, Burn: Camille Paglia Reads Forty-Three of the World’s Best Poems. In her 2002 lecture, ‘The Magic of Images', she set forth the theory that led to this book: ‘‘The only antidote to the magic of images is the magic of words.’’"Now I’m a champion of the web—I began writing for Salon in 1995 from the first issue on.

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1125791576056352332005-09-04T09:51:00.000+10:002005-09-04T09:52:56.056+10:00

interzone: Media arts in Australiaa new book by Darren ToftsMedia arts have become the most public and accessible form of inquiry into the interface between society, culture and technology. The impact of digital technologies has been profound and new disciplines of inquiry have emerged over the last twenty years in response to the overall "computerisation" of society. Media artists are at the

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1125791244706189472005-09-04T09:46:00.000+10:002005-09-04T09:47:24.706+10:00

In Artforum’s September 2005 issue: “Breadth in Venice: The 51st Venice Biennale.” Six distinguished contributors chart the highs and lows in the current installment of the grandest of all “grand exhibitions.” Benjamin H. D. Buchloh, Alison M. Gingeras, and Elisabeth Sussman provide surveys of the sprawling exhibitions in the Arsenale and Giardini. For Buchloh, Ed Ruscha’s paintings in the United

lindanoreply@blogger.comtag:blogger.com,1999:blog-6668855.post-1125790907546648072005-09-04T09:39:00.000+10:002005-09-04T09:41:47.550+10:00

Ripe Off The Press is the proud publisher of unique books, publications and materials for and about Australia’s creative community. Our core purpose is to create books and publications that satisfy your visual, emotional and intellectual appetites, delivering inspiring, relevant, informative and illustrative material to Australia’s creative community and propelling and promoting our collective

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